Crystal A. Wright: The Hair, Makeup & Styling Career Guide, 4th Edition
Everything you need to know about building your career as a freelance hair, makeup or fashion stylist. Information on marketing yourself, testing with photographers, building a great portfolio, signing with an agency and much more.
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As an agent I live vicariously through the artists that I represent.
Not having been blessed with the ability to draw, paint, sing or dance, it is all that I can do.
In this case, it is my makeup artist Uzmee Krakovszki who recently collaborated with photographer Adriana Curcio on a test.
I'm excited to see Uzmee stretch as an artist. Please enjoy the images.
You can view the rest of Uzmee's work at Crystal Agency, and Adriana's at.
–– Crystal
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Back in June, we heard about Crystal Agency fashion stylist
Lauren Smith who won big points after doing such a great job on styling
musician Javen Campbell for his upcoming album “Keeping the Faith”. Well ladies
and gentleman she’s done it again! Lauren was booked to work with Javen on his
new music video. Oh no need to wonder or ask questions, the girl rocked the
job! Lauren created five different looks for the video. She said she wanted to
give Javen a cross between punk and hip hop type vibe. I'll be sure to upload the video as soon as it's out! I can't wait to see the end results!
Keep up the good work Lauren!
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If working in fashion or entertainment has always been a dream of yours, then you will want to join Crystal Wright, President of the Crystal Agency, and author of The Hair, Makeup & Styling Career Guide for an action-packed 1-Day “Build Your Portfolio and Marketing” workshop for freelance Makeup, Hair and Fashion Stylists.
To learn more about Packaging Your Portfolio visit crystalwrightlive.com
For 15 years Crystal Wright has represented some of the top makeup, hair and fashion stylists in the business. Seven times a year in LA, NY, Chicago and Atlanta she shares everything she knows about how to launch and sustain a successful career as a celebrity makeup, hair or fashion stylist. This is one class you don't want to miss.
Crystal Wright's "Packaging Your Portfolio" workshop takes the mystery out of working behind-the-scenes in print, video film & TV.
This 1-Day class focuses on self-promotion, presentation, negotiation, goal setting, and agency representation for the freelance Makeup Artist, Hair Stylist, or Fashion Stylist.
Get step-by-step instructions on:
GET STARTED TODAY. CALL US AT: (323) 913-0500 TO REGISTER, or visit crystalwrightlive.com.
There’s a class going on right now in your area.
Sunday, December 7, 2008 Los Angeles
LE PARC SUITES HOTEL
733 NORTH KNOLL DRIVE
LOS ANGELES, CA 90069
8:30AM – 9:30 Breakfast & Registration
9:30AM - 5:30PM Class
Reserve your space NOW.
Cost:
$459 Regular Admission
$413 Student Admission
$413 2 or More
Payment Plans Available
Take up to 3 Months to Pay. No Interest!
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This just in.. Crystal Agency Team photographer Kevin Michael Schmitz, make up artist Uzmee Krakovs zki, and hair stylist Norma Blaque recently joined forces to create a remarkable photo shoot for 944 magazine's September 2008 issue, titled "Internal Affair". Inspired by the Emmy Award winning television series Mad Men, the group concocted a 1950's style spread, which included $110,000 worth of wardrobe! Goodness graci ous, if only I had that type of budget for my personal wardrobe--that'd be the life!
However, what really stood out most to me were the models glamorously painted faces. So I sat down with make up extraordinaire Uzmee Krakovszki and begged her to spill her secrets.
Q: What make up tips can you give us to achieve the 1950's looks you created?
A: I used all MAC Cosmetics. Let me break it down for you with each facial feature.
Face: For the 50's look you have to have a very matte face. Use only matte foundation as well as matte powder. I had to use a darker powder in order to accentuate the model's facial structures. Of course shimmery powder or foundation would've been easier, but they didn't have those type of products at that time.
Eyebrows: I created very nice, exact, clean drawn eyebrows--not to wide and not too thin. I also made them a little darker than their natural colored brows.
Eyes: Again, I used only matted eye shadows. A white color for the brow bones, brown for the eye crease, and beige for blending the harsh edge of the brown shadow. Most importantly, I drew a thick black line across the lower lid, close to the lashes, using a gel eyeliner.
Mascara: I used black mascara and applied it numerous times to create a very thick lash. The color choice is optional. For example if you have blond eyelashes, then I would recommend a brown mascara. I also used individual false eyelashes to create a more intense look for the eyes.
Cheek: I used a matte pink blush to bring out the lip color which was an orangish, red color. Pink toned blushes will give you a youthful look.
Lips: I used an orangish, red matte lip stick. Using natural tones is another good option.
Well there you have it. I'm holding on to these tips, for my next big night out on the town!
Check out more photos HERE!
Posted at 12:14 PM in Makin' Face | Permalink | Comments (0) | TrackBack (0)
"So, so what I'm still a rock star,
I got my rock moves,
And I don't need you..."
Oh hey guys, sorry about that, but I cannot seem to get rock star Pink's recently released song "So What" out of my head. Lucky for us, she's putting out a lot more new and fresh songs on her upcoming album titled Funhouse, which hits stores October 28. And even though we have a few more weeks to wait, I got a sneak preview of her new looks for the CD.
Crystal Agency's amazingly, talented fashion stylist Hollie Williamson did a job well done with Pink's new looks. Hollie described her collaberation with photographer Deborah Anderson as, "We were aiming towards a vintage 20's type feel. It was a lighter look for Pink, but still over the top with feathers, sequins, and gems giving off that wild, showgirl vibe". Absolutely stunning!
I hope you guys can hold out till October 28 to see more of Pink's brand new photos!
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As a Midwestern girl (yes born and raised in South Detroit—like the Journey song), Los Angeles seemed like outer space. That’s why it was so bizarre yet reassuring, when I called up photographer Kevin Michael Schmitz for the first time, and to my surprise heard this, “248 area code? I thought you were one of my friends from back home.” I was shocked! I haven’t met too many Michigander’s in the infamous LA LA Land.
Anyways, that is beside the point, the wonderful, native Michigander photographer Kevin Michael Schmitz shot a wonderful cover and 11 page spread for San Diego Magazine’s September 2008 issue. Even though his team, which included Crystal Agency’s fashion stylist Hollie Williamson and make up artist Uzmee Krakovszki, put in some long hours the shoot was a great success.
Kevin commented, “The theme of the spread was ‘License to Thrill’, which played off of the whole secret agent man idea. We were extremely adventurous, capturing pictures on cliffs and using hang gliders. It was an exciting set!”
Awesome work Crystal Agency. Mission complete!
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Sunday, October 19, 2008 Crystal Wright's JUMP START YOUR CAREER AS A CELEBRITY If working in fashion or entertainment has always been a dream of yours, then you will want to join Crystal Wright, President of the Crystal Agency, and author of The Hair, Makeup & Styling Career Guide for an action-packed One-Day “Build Your Portfolio and Marketing” workshop that focuses on self-promotion, presentation, goal setting, agency representation and branding for Makeup, Hair, Fashion Stylists and Manicurists. Crystal will teach you how to get work on CD covers, fashion editorials, ad campaigns, television, music videos, and commercials. THIS ONE DAY CLASS COVERS • Building a Print & Online Portfolio ADDITIONAL CLASS BENEFITS INCLUDE
Review and critique of top stylists portfolios A 60-minute Q&A with industry experts that typically include art directors, producers, production coordinators, agents, photographers & celebrity stylists An hour long quarterly conference call with Crystal and classmates to discuss and find solutions for the challenges that arise after class. Certificate of Completion Sunday, October 19, 2008 Price $459.00 For More Details Visit |
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Crystal Agency's hair stylist DaRico Jackson is always in high demand. His fan base continues to grow by the second. The e-mails, letters, and phone calls just keep on coming! But hey, we can't complain because Rico is one of the best and he's ours!
Below is an e-mail from Mr. Jackson's newest fan and a possible future client:
Hello Mr. DaRico Jackson,
My name is Alexis I was admiring your work on a fellow
student's short hair style and asked where she got her
hair done and she mentioned your name. I thought to
keep the name in the back of my mind for the future
and although I am extremely happy with my current
hairstylist of 2 years, I do not enjoy spending an
entire Friday or Saturday sitting and waiting to get
my hair done.
It wasn't until recently I saw the movie Why Did I Get
Married? and thought, I wonder who does Tasha Smith's
hair...it was gorgeous! I started my research to find
it was YOU! Anyhow, I'd love to get pricing and find
out if you do hair for non-signed individuals or
non-celebrities (regular) customers such as myself. :)
I'm sure you're a very busy man, please feel
free to email or respond by phone.
Thank you,
Alexis
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Making a sharp turn around the bend, as I promised, we made it to Talladega, Alabama for another "For Race Fans Only" QVC special.
Up to the mic again, is host Dan Hughes, with guest appearances from NASCAR drivers Jimmie Johnson and Juan Pablo Montoya. And who's there to tackle these men for their touch ups on the big screen? Well, makeup artist Linda Thacker, of course--(pictured above)!
When interviewing Linda, I loved the way she summed up her "men makeup", "Race car drivers don't like to wear makeup (big surprise), so for them I applied only a light coat of powder to knock down the shine and even out their skin tone - which is typically what I do with men to keep them looking natural".
Round and round and round we go, next stop for Crystal Agency nobody knows! To be continued...
Posted at 09:24 PM in On the Road with Crystal Agency | Permalink | Comments (0) | TrackBack (0)
For 10 years now, I've dedicated myself to showing aspiring and working makeup, hair and fashion stylists how to build their portfolios, get agencies to represent them, create solid comp cards that shine in the market they want to work in, and just as importantly how to dream big, and focus on their goals right from the beginning. I teach them about photography, and how to find photographers that work within the goals that they set for themselves. I show them how to ask for the money that they deserve for their art, and how to value what they as makeup, hair and fashion stylists bring to the outcome of EVERY photo, video, or commercial set. Still, several times a day I hear from artists who say "I really want to take your class, but I just can't get away that day," or "I have kids" or "do you have plans to come to my town?". Today I'm excited to be able to offer you an opportunity to take my workshop right in the comfort of your own home. In celebration of ten years of teaching, and for a limited time only you can purchase my Packaging Your Portfolio Workshop on DVD and SAVE $110 Off the retail price. And if that's not enough, you will also receive a $75 Gift Certificate--good for 1 year, for even more savings off of the live class. From now until midnight on Friday, August 8th you can take advantage of this Special Anniversary Savings Offer to save big before the price goes up to $359.00! Whether you're a new or seasoned professional, now is the time to take control of your future and let me show you step-by-step, proven strategies that can skyrocket your career! While watching each of the 4 DVD's in this set at your own pace, and taking notes in the 30-page illustrated workbook that comes along with the DVD, I'll show you easy ways to: -Improve your portfolio! -Work with well-known celebrities and captains of industry! -Ask for and command a much higher day rate! -Gain the respect and recognition you deserve! -Get your portfolio in front of the best photographers! -Create attention-grabbing comp cards! -Gain agent representation - at last! -Give art directors, editors, producers, agents and photographers exactly what they want! With my class now on DVD anyone who is serious about a career in makeup, hair or fashion styling can reap the benefits of my career-boosting seminar series. You have the talent. You have the drive. Let me teach you the skills and techniques that can take you to the top! Give yourself an opportunity to succeed--You Deserve It! Take advantage of these dramatic savings before the price goes up on Friday night. Order Now! The sale ends on Friday, August 8th at 11:59PM. Call (323) 913-0500 to take advantage of the Discounted Anniversary Price Til' Midnight on August 8, 2008 - $249. Regular Price Beginning August 9, 2008 - $359 Click HERE to read what others have to say about this dynamic portfolio building and marketing workshop. |
Posted at 03:20 AM in NEWS & EVENTS | Permalink | Comments (0) | TrackBack (0)
Billboard Magazine is one of music's hottest reads in the industry. And July's cover, shot by photographer Larissa Underwood, featured the men behind Topspin. Topspin is a media technology company that aids musicians in promoting themselves, with out being signed to a label. How great is that?!
CEO Ian Rogers, and co-founders Peter Gotcher and Shamal Ranasinghe all rocked Billboard's front page. The men were groomed fabulously by Artemis and dressed to a T by Crystal Agency Fashion Stylist Hollie Williamson. Hollie kept the business men looking professional with suits, but also coordinated their red, white, and blue ties in the spirit of Independence Day.
Don't they look sharp? Great work Hollie, only more great things to come!
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Here at the Crystal Agency we love and find it so rewarding when clients send their appreciation back to us. Whether it's through a card, e-mail, or just a simple telephone call it's nice to know that our clients are satisfied.
Our hair stylist DaRico Jackson was recently contacted by an old client who sent him what we like to call a little fan mail:
Hi Rico,
This is Shawna Scott, formerly known as Shawna Foster. Remember me, the chocolate girl with the nice skin? You did my hair for years (loved those ponytails and short hair cuts) and made me flawless for my wedding to Terry Scott. I was telling Terry the other day that I miss getting my hair done every week and thought of you. I have been keeping up with your body of work by visiting the Crystal Agency website occasionally and wanted to reach out to you to say hi. You look great.
To give you an update, Terry and I relocated to Manhattan in 2003 and have been living on the Upper West Side. No kids though. Who can afford them living in Manhattan :-).
Terry and I are so proud of you and the success that you are enjoying in LA. I always knew that you would do big things.
Things are great in New York, although it would be nice to have a hair dresser that I could trust. No one comes even close to you.
Anyway, I am happy for you and hope all it well. Next time that you are in New York area, give us a buzz.
Shawna
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One coat of mascara on your upper lashes will your give natural lashes more tack, allowing the false lashes to stick better.
DRY RUN:
Take a few dry runs using lashes without glue. To get your placement right, apply the lashes to the center on the eye as close to the lash line as possible, and pull the corners toward the inner and outer corners of your eye with your fingers.
APPLY GLUE:
I recommend dabbing the glue onto the base of the lash with a toothpick for a fine line. Wait 30 seconds until glue becomes tacky before applying.
APPLY LASHES:
With your eyes open, apply the center on the eye as close to the lash line as possible, and roll the corners toward the inner and outer corners of your eye with your fingers. Hold for 10 seconds until glue sets.
CORRECT THE PLACEMENT:
If it's not as close to the lash line as you'd like, try to gently wiggle the base of the lash into place. If that does not work, take it off and try again.
CURL:
Use a detail lash curler to curl your faux and natural lashes together. This will blend them together for a more natural look.
APPLY MASCARA:
A few coats of mascara will help to further mold your natural and false lashes.
And there you have it, remember practice makes perfect!
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Start your engines racers! Crystal Agency has raced down south to Charlotte, North Carolina with makeup artist and hair stylist Jami Svay. The QVC event "For Race Fans Only" is traveling across the United States and the Crystal Agency is right by its side. Svay spruced up Nascar Driver Dale Earnhardt Jr. and QVC's host Dan Hughes.
"This event was so much fun. The area was jam packed with eager fans. And the energy was great, making for an awesome day!" stated Svay.
And Crystal Agency has won the race. Next stop Talladega, Alabama see you at the finish line!
Posted at 06:56 PM in On the Road with Crystal Agency | Permalink | Comments (0) | TrackBack (0)
ATLANTA ––Sunday, July 13, 2008 is going to be a Star Studded Workshop. We are happy to announce that the panel for Crystal Wright's Packaging Your Portfolio Workshop in Hot Lanta is going to be off the chain.
If you live in Atlanta and you have ever wanted to work for Jezebel magazine, make it to class on Sunday, July 13th at the W Hotel in Perimeter. Kimberly Davis, the Style Editor, and the person in charge of booking the makeup artists, hair stylists and fashion stylists will once again sit on our workshop panel.
She will join Fashion Stylist Camille Morrison, Scripps Television Photo Editor Crystal Martin and Advertising and Fashion Photographer Keith Wright. Photo below by Keith Wright.
To learn more about class or to register before it’s too late CLICK HERE. Visit Crystal Wright Live at YouTube to view clips from Crystal's Class. And here's a link to what just a few others have to say about the class.
See you in Atlanta.
Sincerely,
Crystal Wright
[email protected]
CrystalWrightLive
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Rico, Rico, Rico how do you work it out so well? You're already a favorite of actress Tasha Smith, and now you're hitting it off with R&B singer Kelly Price? AMAZING!
Crystal Agency's hair guru Rico Jackson recently styled Kelly's hair for The American Society of Composers, Authors and Publishers Awards! Rico said, "I chose curls, because they could cross over from day to night. Kelly had to fly out right after the event and needed a more casual look. The curls also went really well with the beautiful, maxi halter dress she was wearing".
Not only did Rico make Kelly's hair look fabulous, but they got along great! He worked with her from 9:00 am-6:00 pm and had nothing but kind words when describing Price. "She was such a kind and genuine person. She's moving to L.A. soon and we plan to keep in touch!". Rico you're not only a talented hair stylist, but everyone that you work with seems to love you as a person!
Just wait until you read Rico's fan mail, he's a favorite of many!
Posted at 12:29 PM in 411 | Permalink | Comments (1) | TrackBack (0)
The Crystal Agency may be stationed in sunny Los Angeles, California, but I bet you didn't know that we work with artists across the United States. Yup that's right Crystal Agency is sweeping the nation. And I am going to keep you guys updated with our "On the Road Jobs".
We'll start with "For Race Fans Only", located in Daytona, Florida. Makeup artist Paula Abraham and Kristin Nugent dolled up the host of the show Dan Hughes and the very famous race car drivers Dale Earnhardt Jr. and Richard Childress. The girls both had a great time on the job and said it was a breeze.
Check out the photo of Dan Hughes above and stay tuned to see where the Crystal Agency travels to next!
Posted at 09:37 PM in On the Road with Crystal Agency | Permalink | Comments (0) | TrackBack (0)
Crystal Agency now presents to you makeup artist and hair stylist Norma Blaque, who just joined our assistants list at the agency. It is a pleasure to have Norma because she is extremely ambitious and quite the multi-tasker. Norma is now a part of the agency, while working at two well known hair salons, and still has time for some freelance photography. Wow, how do you even keep up?!
Norma found Crystal after working on The Dream Girls Catalogue, when fate took its course and she found herself working with a fellow Crystal Agency team member. One thing led to another, Norma contacted Crystal, and the rest is history.
Since hooking up with the Crystal Agency, Norma has worked on a Neiman Marcus fashion show featuring Stella McCartney's designs and the Marina Rinaldi runway extravaganza.
Norma said, "Signing with a makeup and hair agency has been a goal I've been chasing for about ten years now. What was originally a three year goal some how turned into ten years". Well you did it Norma! Keep on pushing forward!
Posted at 07:22 AM in 411 | Permalink | Comments (0) | TrackBack (0)
Working with celebrities on press junkets, movie posters, TV talk shows and feature layouts are as coveted and lucrative as working on fashion advertising spreads and runway shows. After a while, you begin to notice that you’re seeing the same artist’s names over and over again in the credits. It begs the question, Why?
Like some people who see a painting in a museum and say, “Oh anybody could have done that”. Artists often remark smugly that they could have chosen that outfit or done “that hair” or “makeup”.
Want some late breaking news? Other than the occasional “Well I just want the makeup to be nice” or “I like a stylist who brings a lot of clothes to the shoot” not one of the publicists we spoke with mentioned anything about makeup or hair technique when asked why and how they choose freelance artists to work with their high falutin’ celebrity clients. In the end it was less about the art than it is about the proper etiquette.
Marleah Leslie, Ron Carter and Lisa Jefferson took some time out to give you a heads up about working with celebrity clientele.
“It’s all about a comfort level,” says Marleah Leslie, who’s company Marleah Leslie & Associates in Los Angeles represents some of the biggest stars in Hollywood. Her client list includes Jim Carrey, Marie Osmond, Tim Allen, Ricky Martin and Celine Dion. “Our job is to make the client look good. If I find someone that my client likes and they understand our job then I make a Rolodex card for them and keep it on file. If they’re really good, I’ll use them for other clients.”
Ron Carter has been a publicist in the music business for 13 years. He’s worked with Michael Jackson at Motown, Tony Toni Tone at Polygram, Chaka Kahn at Warner Bros., and Tamia and Quincy Jones at Qwest where he is now the VP of Publicity. “The relationship matters” says Ron. I rely on a few agencies and the personal relationships that I’ve developed and cultivated over the years to provide me with good people
Lisa Jefferson, is Director of Artist Relations at Elektra Entertainment. Her priorities are Missy Elliott, Natalie Cole, Yolanda Adams, EnVogue and BJORK. “I usually deal with agencies. I like people who are nice and will work with me. My favorite is Artist Group Management. The people there are really great.” When I was pregnant they were so thoughtful, they sent me a baby gift, and today I got a pilates gift certificate from Bobby Heller, one of the owners. Lisa stresses the importance of finding people who can work within her budget and admits to thinking that many freelance stylists get paid entirely too much.
1stHOLD: Why is it that publicists always ask who the artist has worked with before?
Marleah: It tells you that they know how to behave around celebrities. And I don’t mean that the way it sounds. In this case behavior means knowing when to excuse yourself from the room. We had a situation with Jim Carrey during a press junket at a hotel when Danny DeVito stopped in during some down time to say hello. They’re friends. The makeup artist stayed in the room the entire time. She didn’t know to leave. You have to know when to give them their space. Celebrities talk about personal things or business that is not your business.
Ron: It’s credibility we look for. I tend to stick with the same agencies that have delivered for me over the years. Crystal, Celestine and Perroneau are three that I really like. We’re always walking a tight rope, rolling the dice if you will. I’m looking to come up a winner every time and I do that by using people that I know can deliver.
Lisa: I want to know that they have had experience in various situations. I want them to be self-contained and know how to get around on a set, be able to eat from the craft services table and not require more attention than the celebrity. That’s why it’s important that they have worked in the business for awhile.
Marleah: We ask whom the artist has worked with because the celebrity is going to ask us. It gives them (the artist) credibility with our client.
1stHOLD: Nobody gets fired for buying a Xerox, or hiring Kevyn Aucoin, right?
Marleah: Exactly. If I hire a makeup artist with no resume and he/she doesn’t do a great job, the question becomes “Why did you hire that person?” If I hire an artist with a name and they screw up, well, it’s just a top artist having a bad day. It’s not fair; it’s just the way it is.
1stHOLD: How do you find people if an artist you usually work with is booked, or you need someone out of town?
Ron: I call on my [agency] resources and then trust them. For instance, I have a relationship with a photographer. His name is Arnold Turner. Everyone in the (music) business knows him. I’ve been working with Arnold for more than 10 years. I don’t have to be there. I would like to be, but Arnold knows what I want from a publicity shoot or the shots I need from an event. When I can’t be there I can send him alone and know what I’m going to get. That’s the same reason I call on Crystal or Celestine or Perroneau. I can trust their recommendations even if it’s an artist I’ve never worked with before.
I also look at the cards I get in the mail. I’m an easy person. I return all my phone calls. If I get a postcard (promo/comp card) with a follow up phone call, I may not get to it the next day, but I’ll usually return the call within a few days. If the card is eye-catching-I may call you! If I like what I see, I’ll call in your book. Just do not send me any unsolicited portfolios. I don’t want the responsibility.
Marleah: I go to my Rolodex first, then I reach out to the agencies. I don’t call many. Too snotty. I have my favorites and my Rolodex of people who meet my criteria. They’re team players. They will listen to what the client (celebrity) and I have to say, and they practice the necessary etiquette that goes along with working with high profile people.
Lisa: Well for instance, Missy Elliott likes Billy B for makeup. If he’s unavailable I will ask for his recommendation. If those people aren’t available I turn first to The Artist Group and move on from there.
1stHOLD: That brings me to my next question. Etiquette, what kind of mistakes do artists make when working with celebrities?
Marleah: Have you got some time? I’ve got some stories. Artists need to understand that this is a job. We’re doing our work and the work has no room in it for flirting, gossip or special requests.
I have clients who are single, good looking and wealthy. None of that is a signal for the artist to start flirting and insinuating him or herself into the life of the celebrity. It will cost you your job. It’s unprofessional. I may not bring it to your attention, but I will NEVER hire you again. When I speak with agencies I make it a point to let them know not to send an artist who would ask for an autograph. That too will get you canned. The celebrity will not be rude, but they will let me know (even if I wasn’t present) the next time I need to book someone and bring up the artists name that I should simply find someone else. The dissent usually sounds something like “Nah, let’s try someone else”. It’s very innocent. And very CLEAR!
Give them their space, especially if you’re with them all day. Stay close, so nothing goes wrong, but in the background. Don’t go overboard with the chitchat.
Lisa: There is a line of separation that an artist shouldn’t cross. The celebrity won’t say that they need space they’ll just say, “We should use somebody else”. And that is that!
Ron: Don’t get chummy with the artists and start hanging out. They’re your clients. Over a period of time a personal relationship might develop but that should never be the objective. If you are invited to hang out, that is one thing but never invite yourself. And be careful not to cross that line of professionalism. The first time you are asked to do their hair, makeup or styling outside of a professional relationship and you do it; it can be the beginning of the end. Maintain a professional relationship and they’ll respect you.
1stHOLD: What about working with new people?
Ron: I have some leeway with new [recording] artists. If I see an artist’s portfolio and I like it, I’m usually in a position to give them a shot. . .if they’re good. I’m flexible.
1stHOLD: Why is it so hard to get work with celebrities and recording artists?
Marleah: They come with their own people. Pamela Anderson is one of my clients and she has a team of people she likes to use. Unless something isn’t working I don’t feel the need to mess with the chemistry.
Ron: Even new recording artists have people they want to use. Promises they’ve made to their salon stylist who helped them out when they were shopping their deal or their friend who pulled clothes for them. If I really don’t think that the person the [recording] artist wants to bring on board is right for photo shoots then I’ll suggest that they take a look at other books, but ultimately the decision is theirs. I’m open to working with new people but it isn’t always in my control.
Lisa: Everyone has relationships and people they’re comfortable with. We don’t always want to rock that boat. The client is vulnerable as it is when dealing with the press. It helps to have people around them that they are comfortable with. We like to know what we’re going to get.
1stHOLD: What are you looking for in an artist?
Marleah: For makeup and hair, I’m looking for soft and natural, not that pancake look. With stylists, I’m looking for someone who is creative and can bring lots of options. That means more than 4 looks. We rely on the photographer and the stylist to come up with ideas. I just want a stylist to bring as much wardrobe as they can carry. I want lots of choices. A lot of people hire Phillip Bloch because he always seems to know what’s going on. He keeps up with the trends and can get just about anything for your client.
Lisa: No attitude, from the artist or the agency. And I don’t want an artist I have to pay like a star. I am working on a limited budget and I want to work with people who work with me. When it comes to makeup we often find ourselves hiring men over women because they seem to know how to contour better. With fashion stylists, I appreciate it when they don’t have to ask me for my credit card to pull clothes.
Ron: I’m looking for trendsetters who are reliable and creative with good attitudes.
1stHOLD: How do you like to be approached?
Lisa: Drop off your book. Don’t assume that I’m going to have time to sit there with you. Just drop it off. Make sure there are cards in it or color copies for me to take out if I like what I see. I like to have the time to look at the book at my leisure, not while the artist is sitting there waiting for a yes or a no.
Marleah: Call and ask if you can send over your book. Call first, I may be out of town and the book would just sit there. I’m always open to look at books. Send cards first if you have one and follow up with a request to submit your book.
Ron: Send a card. Follow-up with a phone call and request to submit your book for review.
1. Forget it’s a business relationship.
2. Ask them to take pictures with you.
3. Ask for an autograph.
4. Bring your friends or relatives to a shoot.
5. Smoke.
6. Gossip about anyone.
7. Get too chummy.
8. Ask them to sign your immigration papers.
9. Ask them to be a spokesperson for your favorite charity.
10. Ask for their home phone number.
11. Try to include yourself in their personal lives or activities unless you’re invited, and then don’t wear out your welcome.
12. Hang out in the hotel room after your business is completed unless you’re asked to do so.
13. Flirt.
Posted at 12:46 AM in IN YOUR BUSINESS! | Permalink | Comments (1) | TrackBack (0)
Hearing positive feedback from a client is always a good thing. Recently, Crystal Agency’s fashion stylist Lauren Smith performed incredibly on one of her first jobs with the agency; as a result she got the satisfaction of receiving such praise. When talking with Lauren on the phone, I can see why Andrea Wilson of RKD Music Management was more than satisfied with her work. Lauren styled music artist Javen Campbell for his upcoming album cover.
Lauren summed up her styling tactics as, “You want to stay true to the client’s personal style, but also be able to add your own twist because it’s your work of art”. So true, so true! Below is the thank you letter from the client (edited for brevity): Hi Crystal, I want to thank you so much for your services with Javen's photo shoot. We have a website coming soon and would like to add Crystal Agency as a partnered affiliate. We plan on working with you in the future with our other artists. God Bless, ––Andrea L. Wilson Way to represent Lauren!
Posted at 03:31 PM in Tearsheets | Permalink | Comments (0) | TrackBack (0)
There's nothing better than a photo shoot that runs smoothly and is set in a beautiful location. Crystal Agency fashion stylist Hollie Williamson got just that, when she styled Instinct Magazine's June 2008 Cover at the beautiful Pacifica Beach in sunny Northern California.
Hollie described the location and experience as, "The beach was incredible with black sand, high ridges, a walkway that separated the actual beach from this beautiful valley with a lagoon, amazing trees, and field. It was absolutely breathtaking, everybody got along very naturally. I couldn't ask for a better day or shoot". Wow, I don't think it gets any better than that!
The handsome model was Savonn Champelle and the man behind the lens was Peter Brown. What a great crew!
Be sure to pick up your copy of Instinct Magazine this month to check out more photos!
Posted at 05:46 PM in Tearsheets | Permalink | Comments (0) | TrackBack (0)
I'm no different than anyone else. I can't do without my laptop either. But today is a good day. Today I picked up my laptop from the Apple Palace in West LA near the Westside Pavillion, and it DID NOT cost me a fortune.
I was turned on to Apple Palace by Art Mix Beauty manicurist Melissa Bozant who after taking her Windows laptop in to get it fixed emerged as a MAC devotee like the rest of us creative people. And thank God, because I didn't know where to take my sick MAC. The poor thing had a broken power jack, the DVD player didn't work and I had no sound.
3 days later everything works and i could still afford an apple martini. I'm just sayin'.......
They have a ton of used MAC's of which I plan to buy another G5, and parts everywhere for just about any machine. Leo is the really handsome technician who got my MAC working, and answered all of my questions.
Apple Palace aka Computer Graphics & Networking is located at 2335 Westwood Blvd., Los Angeles, Ca 90064. The phone number is (310) 441-4771 and they're open Mon-Fri. You can email them at [email protected].
Sincerely,
Happy to have my MAC back!
Posted at 11:38 PM in IN YOUR BUSINESS! | Permalink | Comments (0) | TrackBack (0)
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